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On the Cd productions "Earth Songs" and "Footsteps in the Sand" Emily combines orchestral textures with percussion and ritualistic instruments , featured 'cello and vocals. She integrates recordings sourced from her "audible diary" "Earth Songs" & "Footsteps in the Sand" developed from Emily's experience of living in Brazil. When Emily travels and explores a country she is always accompanied by her portable recording equipment. She makes an audible diary of the people and places that she passes through. On a song on "Footsteps in the Sand" a young boy sings his favourite song recorded by Emily whilst she was giving workshops at a music school for children who work in the cane plantations. The memory of recording him inspired the lyrics for the song that ensues. "I remember you as though it were yesterday, I have your picture on the wall…." Recordings of the natural environment later provide an ambience in the studio when she is composing. For example a cricket singing becomes translated into an atmospheric rythmic sound in the general weave of the track. (Footsteps in the Sand "Realised Dream") In Brazil she has encountered various tribal cultures in her travels alone off the beaten track. An archive of tribal singing has been created as she has been invited to record songs for ritual and recreation. "Earth Songs" the track "Yanomami" features singing of Yanomami shamen as they enter the spirit world during their Charborie ritual. Emily witnessed and recorded this phenomena at the Tribal gathering Rio de Janeiro 1992. Later in her studio this memory inspires her production. "Listen to the Kogi Speak" commences with the Kogi myth for creation set amidst a cacophony of percussion. Played by Jody Linscott. "Footsteps in the Sand" has three tracks which feature songs of the Tremembe Indians of the North East of Brazil. The Tremembe live beside the sea and the track "Prayer for the Fishermen" commences with one of their songs. Emily was resident in the North East of Brazil for a year and during this time immersed herself in the local culture. She was financially sponsored by the Edson Queiroz Foundation and this enabled her to commence recording in studios with fantastic musicains. Manases who plays 12 string guitar and Milton Fiori who plays percussion both contributed Brazilian dynamism to "Footsteps in the Sand". Emily was introduced to the Austrian producer Gandalf in Brazil and consequently was invited to make guest appearances with his band. When Emily returned to europe she produced the song "Black Madonna" with Gandalf playing guitar. (Footsteps in the Sand)
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© 2008 Emily Burridge